Convent of Santa Inés

This important Sevillian convent does not project to the exterior, despite its large urban surface, developing all its complexity towards the interior. Access is through two independent entrances that each open to a compass on either side of the church. On the left are among others the lathe, the parlors, the sacristan’s and porter’s lodgings and the regular door; while the other allows entering the church through another door, opposite to the previous one, and the sacristies outside.

The church is an element of the church.

The church is a unique element, as it has three naves of equal height covered with ribbed vaults, which is unusual in the female convents of the city. Its factory is reformed around 1630 with plasterwork and mural paintings by Francisco Herrera el Viejo and is decorated with Baroque altarpieces during the seventeenth and eighteenth centuries.